{"title":"Asie","description":"","products":[{"product_id":"toyohara-kunichika-1835-1900","title":"Toyohara KUNICHIKA (1835–1900)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSoga Moyo Tateshi no Goshozome\u003cspan\u003e, \u003c\/span\u003e\u003c\/em\u003e1863\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\n\n\u003cspan\u003eDimensions : Hauteur 35,5 cm x Largeur 73,3 cm (14 x 28,8 po)\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eGravure sur bois sur papier\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cspan class=\"section-header\"\u003eÉtat -\u003c\/span\u003e Quelques manques sur les marges, notamment en haut, à gauche et en haut à droite.\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\u003cspan\u003eUne scène vivante de la pièce de kabuki \u003cem\u003eSoga Moyo Tateshi no Goshozome\u003c\/em\u003e, jouée au théâtre Ichimura d'Edo.\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\u003cspan\u003eLa composition est centrée sur \u003cem\u003eGosho no Gorozo\u003c\/em\u003e, qui interrompt sa flûte shakuhachi pour jeter un regard irrité sur une belle femme souriante jouant du shamisen. Au-delà de son drame théâtral, l'estampe souligne la fluidité de la performance dans la culture visuelle de la période Edo, où tous les rôles, masculins et féminins (\u003cem\u003eonnagata\u003c\/em\u003e), étaient joués exclusivement par des acteurs masculins. Kunichika capture ce jeu de genre et de performance superposé sur un ciel nocturne doucement ombragé, avec des acteurs célèbres de l'époque, notamment Onoe Eisaburo IV, Ichimura Uzaemon XIII, Ichikawa Kodanji IV, Seki Sanjuro III et Onoe Kikujiro II.\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"_1mf _1mj\"\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lykos Galerie","offers":[{"title":"Default Title","offer_id":58588826993021,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7999\/9613\/files\/Kunichika-Photoroom_e25d2634-be16-45b6-ad97-6551b6bd9fb7.png?v=1787736904"},{"product_id":"utagawa-kunisada-toyokuni-iii-1786-1865","title":"Utagawa KUNISADA (Toyokuni III) (1786–1865)","description":"\u003cdiv class=\"xdj266r x14z9mp xat24cr x1lziwak x1vvkbs x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eKirira Yosaburō at Kisarazu Seashore\u003c\/i\u003e, c. 1853–1860\u003c\/p\u003e\n\u003cp\u003eDimensions: Height 35.5 cm x Width 24.5 cm (14 x 9.6 in)\u003c\/p\u003e\n\u003cp\u003eWoodblock print on paper (\u003ci\u003eōban\u003c\/i\u003e, single left sheet from triptych segment)\u003c\/p\u003e\n\u003cp\u003eSigned: \u003ci\u003eToyokuni ga\u003c\/i\u003e (within red gourd-shaped cartouche)\u003c\/p\u003e\n\u003cp\u003eBlock cutter: \u003ci\u003eHori Kō Fukachō\u003c\/i\u003e (carver seal, lower left)\u003c\/p\u003e\n\u003cp\u003eCondition: Good impression and color, minor trimming along margins.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eUtagawa Kunisada, who assumed the prestigious name Toyokuni III in 1844, was the undisputed titan of 19th-century \u003ci\u003eukiyo-e\u003c\/i\u003e. Heading the powerful Utagawa school, he produced an extraordinarily vast body of work, with \u003ci\u003eyakusha-e\u003c\/i\u003e (actor portraits) forming the cornerstone of his career. Kunisada's prints defined the visual language of late Edo kabuki, celebrated for their sharp draftsmanship, exquisite attention to textile patterning, and dramatic psychological intensity.\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis print illustrates a pivotal scene from the kabuki narrative \u003ci\u003eKeisei Tsukushi no Tsumagoto\u003c\/i\u003e (and its famous revival \u003ci\u003eYewusatsu Yosaburō\u003c\/i\u003e), capturing the tragic hero Kirira Yosaburō stranded along the rocky coastline at Kisarazu. Caught in an affair with Otomi, the mistress of the gang leader Akama Genzaemon, Yosaburō is brutally slashed across his face and body, left with thirty-four scars, and cast into the sea. The cartouche at the top left identifies the character as \u003ci\u003eKirira Yosaburō\u003c\/i\u003e, rendered here with exposed legs against crashing waves and the prow of a boat, his face still reflecting the trauma of his ordeal.\u003c\/p\u003e\n\u003cp\u003eBeyond its narrative function, the work highlights the intersection between kabuki iconography and the culture of \u003ci\u003ewakashudō\u003c\/i\u003e (\"the way of young men\") in Edo Japan. Long before modern pinup culture, single-sheet actor prints (\u003ci\u003eyakusha-e\u003c\/i\u003e) of alluring male performers served as widely circulated objects of romantic idealization and visual desire. Sold affordably across print shops in Edo, Kyoto, and Osaka, these works allowed audiences to track their favorite stars, follow aesthetic trends, and celebrate male beauty within an established artistic tradition.\u003c\/p\u003e\n\u003cp\u003eIn this composition, Kunisada emphasizes Yosaburō's sensual appeal through his dynamic pose, loosened robes, and the distinct hairstyle featuring styled forelocks associated with youth culture. The print offers a compelling testament to the role of the kabuki actor as both a theatrical icon and an object of eroticized fandom in late Edo visual society.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lykos Galerie","offers":[{"title":"Default Title","offer_id":58691777167741,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7999\/9613\/files\/247076de528570541489298244552df1.jpg?v=1789596503"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7999\/9613\/collections\/maharaja.jpg?v=1778009828","url":"https:\/\/lykosgalerie.com\/fr\/collections\/asia-the-warrior-code.oembed","provider":"Lykos Galerie","version":"1.0","type":"link"}